February 2004 | Sparks | A Newsletter for Clients & Friends of Cairril.com

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July 2003 | Sparks | A Newsletter for Clients & Friends of Cairril.com Desi

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Books of Imagination

    Old Woman (segment)

      Once she was beautiful, and knew it;
      Once her blood’s fire burned in a man’s veins
      Night after night, and her colours
      Enflamed the coals of his heart.

      Who may see that now,
      When the nurses bring her things and swear
      Behind her back because she cannot hold
      A spoon, or manage all the stairs?

    A Poem for Ann (segment)

      Three feet small
      With dreams as big as Christmas.
      A cornfield of curls
      And a smile that would melt a soldier.
      When you cry
      All of you falls to pieces;
      Everyone comes running to meet you…

    Curlews (segment)

      Down at the river and always far away
      I hear them, high voices crying,
      The sky over that way blue and pale as opals.
      Until it is dark I hear them mourning
      Like lovers leaving for another land,
      Circling over the summer river pools
      The sea in their wings now, in their voices,
      As they rise, restless, still cry and cry,
      Till the first white stars have flowed like pearls
      Through the water of the skies.

    – Kenneth Steven.


    One of his lesser known claims to fame is that years back he came second in a poetry competition to my mum.

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Join the Blue Mobius Campaign!

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Genevieve Taggard at Old Poetry

→ → Genevieve Taggard (1894-1948)


    Genevieve Taggard was born November 28, 1894, Waitsburg, Washington. She grew up in Hawaii where her parents built and ran a large “Multi-cultural” school, they were missionaries. She obtained a scholarship which allowed her to attend the University of California at Berkeley, she graduated in 1919.

    In 1920 she moved to New York, New York. She worked first for an important modernist publisher named B.W. Huebsch and then in 1921 she started her own journal the Measure, with some other young writers, who included Maxwell Anderson. Also that year she married poet and novelist Robert Wolf and gave birth to her only child, Marcia.

    In the late ’20s Taggard taught at Mt. Holyoke, whe wrote began writing a biography on Emily Dickinson. Her style of poeticism changed drastically different from the ’20s to ’30s, the Depression had an enormous effect on society during that time, including on her. She divorced from her husband, fellow poet and author Robert Wolf in 1934, Taggard then married journalist Kenneth Durant in 1935.

    Throughout Taggard’s life she was involved in many causes and organizations ranging from Committee for the Protection of the Foreign Born, the United Committee to Aid Vermont Marble Workers, and the North American Committee to Aid Spanish Democracy. She was the executive council of the League of American Writers, a member of the New York Teachers Union, and the U.S.-Soviet Friendship Committee. She also served on the editorial committee of Young People’s Records, which was scrutinized during the MCathry period.

    Her works include:

    May Days: Anthology of Verse (1911-1917) (edited)
    The Liberator: Anthology of Verse (1919-1924) (edited)
    Traveling Standing Still (1928)
    The Life and Mind of Emily Dickinson (1930)
    Calling Western Union (1936)
    Collected Poems 1918-1938 (1938)
    Long View (1942)

    Due to complications stemming from her blood-pressure, she died November 8, 1948.”

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For Eager Lovers

→ → ENDLESS CIRCLE

Genevieve Taggard

      The tree we lay under
      The thunder, the thunder
      Of my heart, and your wonder
      And our weeping…

    Now we are old, we are worn, we are weary of sleeping;
    There’s an end to all sorrow, there must be an end to our weeping:
    Come with me, run with me, find with me, laughing and leaping —


      The tree we lay under,
      The thunder, the thunder
      Of my heart, and your wonder —
      And our weeping.



And, finally succumbing to the Macedonian Maggler… me reading it.

Now I must leave forever and never dare show my face round these parts again.

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Genevieve Taggard–An Autobiographical Essay (1927)

→ → Genevieve Taggard–An Autobiographical Essay (1927)

    Am I the Christian gentlewoman my mother slaved to make me? No indeed. I am a poet, a wine-bibber, a radical; a non-churchgoer who will no longer sing in the choir or lead prayer-meeting with a testimonial. (Although I will write anonymous confessions for The Nation.) That is her story–and her second defeat. She thinks I owed her a Christian gentlewoman, for all she did for me. We quarrel. After I escaped, she snapped shut the iron trap around my brother and sister. That is their story. I do not know if they will ever be free of her. She keeps Eddie Guest on the parlor table beside the books I have written–a silent protest against me. She is not pleased.

    I cannot pretend to be entirely frank in telling the story that results from this story; or to apply to it any such perspective. Let my daughter tell it later on. She will see outlines I cannot.

    I think I have not been as wasted as my mother was–or as wasteful. I have made worse mistakes, which might have been more fatal than hers and yet have not been, at least for me. My chief improvement on her past was the man I chose to marry. I did not want a one-way street of a marriage, like hers. I married a poet and novelist, gifted and difficult, who refused defeat as often as I did. Hard as it is to live with an equal, it is at least not degrading. We have starved, too; struggled as hard as ever my folks did. But the struggle has not been empty; I have no grudges. Intellectually as well as emotionally my husband had as much to give that was new and strange as I had. In marriage I learned, rather tardily, the profound truth that contradicts Jesus when he said, “Bear ye one another’s burdens.” I am a better person when I bear my own burdens. I am happiest with people who can bear their own, too. I remember my mother’s weariness and contempt for a man who could never take up her challenges. Seven years with a real person is better than her thirty with a helpless, newspaper-reading gentleman.

    The pioneer woman was a dynamo–and her man nearly always ran out on her. From the bitterness in such women many of us were born. Where was her mate? Did she destroy him? Did he hate her for her strength? Was he weaker because she was strong? Where is the equilibrium, anyway? I do not know, for sure, although I spend much time wondering.

    Marriage is the only profound human experience; all other human angles are its mere rehearsal. Like every one else I have wanted it. And yet having it, it is not all I want. It is more often, I think, a final experience than a way of life. But I am a poet–love and mutual living are not nearly enough. It is better to work hard than to be married hard. If, at the beginning of middle age, we have not learned some of the perils of the soul, in this double-selved life, we are pure fools. Self-sufficiency is a myth, of course, but after thirty, if one is a serious-minded egoist (i.e., artist) it becomes more and more necessary. And I think it can be approximated.

    Lucinda Matlock, in the “Spoon River Anthology,” says:

      We were married and lived together for seventy years,
      Enjoying, working, raising the twelve children,
      Eight of whom we lost,
      Ere I had reached the age of sixty.
      I spun, I wove, I kept the house, I nursed the sick,
      Rambling over the fields where sang the larks,
      And by Spoon River gathering many a shell,
      And many a flower and medicinal weed,
      Shouting to the wooded hills, singing to the green valleys.
      At ninety-six I had lived long enough, that is all,
      And passed to a sweet repose.
      What is this I hear of sorrow and weariness,
      Anger, discontent, and drooping hopes?
      Degenerate sons and daughters,
      Life is too strong for you–
      It takes life to love Life.

    My mother was not this woman, nor am I, but we are both some way kin to her.

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On &Traveling Standing Still&

→ → On Traveling Standing Still

Edmund Wilson

    The impression of [Genevieve] Taggard that one gets from [Traveling Standing Still] is a little unexpected. If one had tended vaguely to confuse her with a familiar school of women poets–the school which one of their number has recently herself described as the “Oh-God-the-Pain Girls” –Miss Taggard has excluded from this book anything that might encourage it. . . .

    What we . . . get is a poet of our common human experience who, despite her fastidious and busy mind, which embroiders it sometimes like lace, stitching it in and out, is singularly close to the ground. Whatever she may say in her bitterer moments–expressing herself in the admirable verses of “The Quiet Woman” and “Dissonance Then Silence”–she accepts what life brings her as natural and right. It is this that has made it possible for her to write, in the piece called “With Child,” the only respectable poem on child bearing that I remember ever to have seen. The point is that the poet here does not, as is so often the case, repudiate or war with the woman. And even “B.C.,” where the note is tragic, in warning the mother of Jesus that he will have to face “only agony and another loss of your being” in order to bring forth “an angelic shadow,” her tone is not itself agonized, but rather one of sympathetic comprehension and resignation to the common lot. . . .

    . . . With her eager intellectual appetite, she has devoured our ideas and techniques but she has scarcely been touched by the megrims, the nausea-fits, the moods of sterility that nowadays so often go with them. One looks forward to seeing her take her place as a self-dependent poetic personality, in some ways essentially different from any that we already know.

    [December 12, 1928]

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