Mirror | rorriM

http://www.ams.org/notices/200808/tx080800930p.pdf

Ξ August 17th, 2008 | → 0 Comments | ∇ Uncategorized |

Who Is Alexander Grothendieck?

 

SSL Certificates Two Factor Authentication Security Services from Comodo…

Ξ August 14th, 2008 | → 0 Comments | ∇ Uncategorized |

"Creating Trust Online"

Umm yeah right, by spamming people with Domain Registry of America type hijack scam emails, subtly implying that they are who the SSL cert is held, and should be renewed, with.

Do I want to trust a con-artist with anything whatsover to do with website or computer security?

Perhaps not.

 

AUTO-MEME

Ξ August 10th, 2008 | → 0 Comments | ∇ Uncategorized |

MY BEARD IS FULL OF WINDMILLS.

 

The New York Times & Log In

Ξ August 8th, 2008 | → 0 Comments | ∇ Uncategorized |

You must remember that there have been three epochs of intellectual affectation. The first, lasting from approximately 1400 to 1965, was the great age of snobbery. Cultural artifacts existed in a hierarchy, with opera and fine art at the top, and stripping at the bottom. The social climbing pseud merely had to familiarize himself with the forms at the top of the hierarchy and febrile acolytes would perch at his feet.

In 1960, for example, he merely had to follow the code of high modernism. He would master some impenetrably difficult work of art from T.S. Eliot or Ezra Pound and then brood contemplatively at parties about Lionel Trilling's misinterpretation of it. A successful date might consist of going to a reading of "The Waste Land," contemplating the hollowness of the human condition and then going home to drink Russian vodka and suck on the gas pipe.

This code died sometime in the late 1960s and was replaced by the code of the Higher Eclectica. The old hierarchy of the arts was dismissed as hopelessly reactionary. Instead, any cultural artifact produced by a member of a colonially oppressed out-group was deemed artistically and intellectually superior.

During this period, status rewards went to the ostentatious cultural omnivores -- those who could publicly savor an infinite range of historically hegemonized cultural products. It was necessary to have a record collection that contained "a little bit of everything" (except heavy metal): bluegrass, rap, world music, salsa and Gregorian chant. It was useful to decorate one's living room with African or Thai religious totems -- any religion so long as it was one you could not conceivably believe in.

But on or about June 29, 2007, human character changed. That, of course, was the release date of the first iPhone.

On that date, media displaced culture. As commenters on The American Scene blog have pointed out, the means of transmission replaced the content of culture as the center of historical excitement and as the marker of social status.

Now the global thought-leader is defined less by what culture he enjoys than by the smartphone, social bookmarking site, social network and e-mail provider he uses to store and transmit it. (In this era, MySpace is the new leisure suit and an AOL e-mail address is a scarlet letter of techno-shame.)

Today, Kindle can change the world, but nobody expects much from a mere novel. The brain overshadows the mind. Design overshadows art.

This transition has produced some new status rules. In the first place, prestige has shifted from the producer of art to the aggregator and the appraiser. Inventors, artists and writers come and go, but buzz is forever. Maximum status goes to the Gladwellian heroes who occupy the convergence points of the Internet infosystem -- Web sites like Pitchfork for music, Gizmodo for gadgets, Bookforum for ideas, etc.

These tastemakers surf the obscure niches of the culture market bringing back fashion-forward nuggets of coolness for their throngs of grateful disciples.

Second, in order to cement your status in the cultural elite, you want to be already sick of everything no one else has even heard of.

When you first come across some obscure cultural artifact -- an unknown indie band, organic skate sneakers or wireless headphones from Finland -- you will want to erupt with ecstatic enthusiasm. This will highlight the importance of your cultural discovery, the fineness of your discerning taste, and your early adopter insiderness for having found it before anyone else.

Then, a few weeks later, after the object is slightly better known, you will dismiss all the hype with a gesture of putrid disgust. This will demonstrate your lofty superiority to the sluggish masses. It will show how far ahead of the crowd you are and how distantly you have already ventured into the future.

If you can do this, becoming not only an early adopter, but an early discarder, you will realize greater status rewards than you ever imagined. Remember, cultural epochs come and go, but one-upsmanship is forever.

 

The moment when, after many

Ξ August 7th, 2008 | → 0 Comments | ∇ Uncategorized |

The Moment

The moment when, after many years
of hard work and a long voyage
you stand in the centre of your room,
house, half-acre, square mile, island, country,
knowing at last how you got there,
and say, I own this,

is the same moment when the trees unloose
their soft arms from around you,
the birds take back their language,
the cliffs fissure and collapse,
the air moves back from you like a wave
and you can't breathe.

No, they whisper. You own nothing.
You were a visitor, time after time
climbing the hill, planting the flag, proclaiming.
We never belonged to you.
You never found us.
It was always the other way round.

Margaret Atwood

 

Planetary-Scale Views on a Large Instant-Messaging Network

Ξ August 3rd, 2008 | → 0 Comments | ∇ Uncategorized |

Planetary-Scale Views on a Large Instant-Messaging Network

We present a study of anonymized data capturing a month of high-level communication activities within the whole of the Microsoft Messenger instant-messaging system. We examine characteristics and patterns that emerge from the collective dynamics of large numbers of people, rather than the actions and characteristics of individuals. The dataset contains summary properties of 30 billion conversations among 240 million people. From the data, we construct a communication graph with 180 million nodes and 1.3 billion undirected edges, creating the largest social network constructed and analyzed to date. We report on multiple aspects of the dataset and synthesized graph. We find that the graph is well-connected and robust to node removal. We investigate on a planetary-scale the oft-cited report that people are separated by â€oesix degrees of separation” and find that the average path length among Messenger users is 6.6. We find that people tend to communicate more with each other when they have similar age, language, and location, and that cross-gender conversations are both more frequent and of longer duration than conversations with the same gender.